As the outlook for crude oil in 2022 came into three-dimensional view this month, the market’s steadying mechanism managed to right itself again after another wobble. The Organization of the Petroleum Exporting Countries (OPEC) took its first formal look at next year in its July Monthly Oil Market Report (OMR), becoming the third of three widely watched prognosticators to do so. Among the other two, the International Energy Agency (IEA) began projecting 2022 oil-market data in its June Oil Market Report, and the intrepid U.S. Energy Information Administration (EIA) took its first analytical shot at next year way back in January in its Short Term Energy Outlook. The important third dimension that OPEC gave to the 2022 oil-market picture arrived on July 15 after two weeks of worry about whether production restraint by most of the group’s members and cooperating countries would survive. On July 18, though, the internal squabble driving that concern ended in a compromise that will result in production quota increases for several OPEC+ members. The 2022 projections by OPEC, IEA, and EIA, not to mention worry-driven elevation of crude oil prices prior to the compromise, make clear that the market needs OPEC+ to continue the orderly unwinding of its production cuts. In today’s blog, we compare the three forecasts and look at how the latest adjustment to OPEC+ supply management will affect the market.
Oil traders had two powerful reasons to fret when the OPEC+ group ended its meeting earlier this month without agreeing how to extend the phase-down of its 4½-year-old program for limiting crude oil supply, a surprise development we first blogged about in What a Fool Believes. As we observed in Everybody Wants to Rule the World, the oil market nearly always has some mechanism for keeping supply in line with demand and tends to become chaotic when the system breaks down. That happened in mid-2014, when Saudi Arabia and other key OPEC members abandoned production restraint to defend market share (see Crying Time for OPEC?), unbridling competition and starting a price slide that cost crude oil three-fourths of its value before the market began slowly to regain balance in February 2016. Hurting financially along with oil producers everywhere, OPEC’s leaders reversed course and, at the end of 2016, agreed with a group of non-member countries — Russia prominent among them — to reimpose production cuts at the beginning of 2017 under an early version of the current agreement (Is This the Real Life? Is This Just Fantasy?). The OPEC+ effort accelerated the market’s recovery from price-crushing oversupply but splintered in a dispute between Saudi Arabia and Russia at the worst possible time: in March 2020, just as the COVID-19 pandemic was devastating global oil demand, which we covered in Wipe Out. With crude prices plunging, the group introduced an overhauled framework of production cuts the following month, agreeing to step down the amount of oil it was holding off the market by an estimated 9.7 MMb/d. Things went smoothly until this month’s meeting, at which the group was to decide how to manage the remaining 5.8 MMb/d of production cuts. When the meeting ended without an agreement, it looked like the potential for a replay of the March 2020 dust-up, which was reason enough for market paranoia. Even worse, the rift this time didn’t occur along the natural fault line between Saudi Arabia and Russia, which doesn’t belong to OPEC, but between two OPEC members usually allied in matters concerning oil production: Saudi Arabia and the UAE (Surprise, Surprise).
Canadian crude output is rising, requiring new export routes. As traditional pathways face constraints, the U.S. Rockies—especially the Guernsey, WY hub—are emerging as key corridors for moving Canadian heavy crude to downstream markets, including the Gulf Coast.
Once again, though, OPEC+ participants resolved the dispute with flexibility and compromise. The UAE had withheld its support for an extension of the group’s agreement past next April because it wanted its baseline from which production cuts are calculated to be raised from just shy of 3.2 MMb/d. Claiming to be able to produce 4 MMb/d of crude oil, nearly all of it from Abu Dhabi, the federation is reported to have argued for a baseline of 3.8 MMb/d starting next May. In an agreement announced on July 18, the OPEC+ group raised the UAE’s baseline to 3.5 MMb/d. Additionally, OPEC made other baseline changes, also starting in May 2022: Iraq, to 4.8 MMb/d from 4.7 MMb/d; Kuwait, to 3 MMb/d from 2.8 MMb/d; and Saudi Arabia and Russia, to 11.5 MMb/d from 11 MMb/d each. In all, OPEC+ baselines in next year’s second quarter will increase by a little more than 1.6 MMb/d. The effect of the changes, if cuts are removed in 400 Mb/d monthly increments as planned, will be an average production increase throughout 2022 of 1.1 MMb/d. We’ll use that important increment to adjust forecasts for 2022 a little later.
About the song
"Third Dimension" was written by Buzzcocks' member Steve Diggle, and appears as the sixth cut on the Buzzcocks’ ninth studio album, The Way. Personnel on the record were: Pete Shelley (guitar, vocals), Steve Diggle (guitar, vocals), Chris Remmington (bass), and Danny Farrant (drums).
The Way was produced by David M. Allen and Buzzcocks, and released in May 2014. It would be the last album to feature founding member Pete Shelley, who passed away from heart failure in December 2018. The album featured 10 songs of the powerful pop/punk that the band was known for.
Buzzcocks are an English punk rock band formed in Bolton, England, in 1976 by Pete Shelley and Howard Devoto. Devoto left the group in 1977 to form the band Magazine. Original member Steve Diggle moved from bass to guitar after Devoto's departure. The band achieved success in the UK through the release of independent singles that fused pop sensibilities with punk energy. These singles were later released on an album called Singles Going Steady, which exposed the group to a larger audience. The band disbanded in 1981 and reformed in 1989. In 1982, Pete Shelley released the hit single “Homosapien” and album of the same name. Buzzcocks have released nine studio albums, five live albums, 11 compilation albums, ten EPs, and 26 singles. Fourteen members have passed through the band since its formation. Original member Steve Diggle, along with Chris Remmington, Danny Farrant, and Mani Perazzoli, still tour as Buzzcocks.