U.S. LNG export capacity is poised to grow tremendously over the next few years, mostly near the Texas/Louisiana border. The gas-focused Haynesville Shale in northwestern Louisiana and northeastern Texas is a prime source of additional supply for those new and expanded terminals. But plans for new north-to-south pipelines to deliver incremental gas out of the Haynesville have been clouded by legal challenges. In today’s RBN blog, we’ll discuss the reasons for the disputes, what’s been going on recently, and the potential fallout.
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We’ve talked about LNG export operations and the pipes that will feed them in a number of blogs. Most recently, in our five-part Gotta Get Over series, we discussed plans for a slew of new pipeline projects in Louisiana, all of them tied in one way or another to LNG-related demand. In Come Dancing, we blogged about the race to build new gas pipelines out of the Permian Basin in West Texas, whose crude-oil-focused wells also generate large volumes of associated gas that need a home — like new LNG export facilities with a seemingly insatiable demand for gas.
Permian gas pipelines and Louisiana projects each face challenges, however. Pipelines from West Texas to the Gulf Coast — especially to the Texas/Louisiana border — need to cover hundreds of miles (which is not cheap), and some Permian-sourced gas has a nitrogen issue that’s problematic for LNG exporters. As for Louisiana, the state is already a spaghetti bowl of all kinds of pipelines, and lately there have been a handful of legal battles over Energy Transfer’s attempts to block other pipelines from crossing its own pipes, resulting in project delays.
Let’s start with some background. Energy Transfer (ET) owns multiple pipelines across northern Louisiana close to the Haynesville Shale and, most relevant here, it has a contract with landowners giving it the right to “exclusive servitude” of the land that its ETC Tiger gas pipeline is built under. The Tiger pipe (red line in Figure 1 below) runs 189 miles west-to-east across northern Louisiana, from near the Texas/Louisiana border through the Shreveport area to Richland Parish — a route roughly parallel to Interstate 20.
About the song
“Fight For Your Right” was written by Adam Yauch, Adam Horovitz and Rick Rubin. It appears as the seventh song on side one of Beastie Boys’ debut studio album, Licensed to Ill. Released as the fourth single off the album in December 1986, it went to #7 on the Billboard Hot 100 Singles chart. The video for the song received heavy rotation on MTV. The song is played at the Super Bowl champion Kansas City Chiefs’ home games to celebrate every Chiefs touchdown. They started using it after Chiefs tight end Travis Kelce used the phrase in a post-game interview with CBS broadcaster Jim Nantz. Personnel on the record were: Adam “Ad-Rock” Horovitz, Adam “MCA” Yauch, Michael “Mike D” Diamond (programming, sampling, production, guitar, bass, drums), and Rick Rubin (programming, sampling, production).
Licensed to Ill was recorded in 1985-86 at Chung King Studios in New York City and produced by Rick Rubin and Beastie Boys. Released in November 1986, it went to #1 on the Billboard 200 Albums chart and has been certified Diamond (over 10 million in sales) by the Recording Industry Association of America. Seven singles were released from the LP.
Beastie Boys was an American hip-hop/rap group formed in New York City in 1981 by Ad-Rock, MCA, and Mike D. They released eight studio albums, five compilation albums, seven EPs, and 40 singles. They have sold more than 20 million records worldwide. They have won three Grammy Awards, four MTV Video Music Awards, and were inducted into the Rock and Roll Hall of Fame in 2012. After the death of Adam “MCA” Yauch from cancer in May 2012, the group disbanded. The surviving members have since released a biography of the band, a compilation album, and a documentary directed by Spike Jonze on the group. After the dissolution of the band, Mike D has produced records for a few bands and has a podcast called The Echo Chamber. Ad-Rock has done some acting since the breakup of the band.