The increasing availability of LNG at low and relatively stable prices, combined with the ability to expedite the installation of LNG receiving/regasification infrastructure, has the potential to spur faster growth in global LNG demand than many have been expecting. If that happens, the current––and still growing––glut in worldwide liquefaction capacity could shrink in a few years’ time, and a “second wave” of U.S. liquefaction/LNG projects could start coming online by the mid-2020s. Today, we conclude our series on U.S. LNG exports with a look at how low, stable LNG prices may turn the market toward supply/demand balance.

When supply and demand get way out of whack and prices crash, there’s an understandable tendency in the oil, natural gas and natural gas liquids (NGLs) business to think that the sky is falling, and that things will never, ever be as good as they were. But they don’t call energy-resource markets “cyclical” for nothing. The very nature of markets is to adjust, to revert toward the mean. If production (supply) outstrips demand by an increasing margin, prices soften and output declines; once prices have softened enough, demand picks up, eventually putting pressure on producers to produce more. What’s also hard to argue with is the view that natural gas’s role in power generation vis-á-vis coal will increase, and for many countries LNG imports are either the only way to get gas or needed to supplement pipeline gas.

Roundabout! - Canada-To-Rockies Crude Flows Reshaping The PADD 4 Guernsey Market

Canadian crude output is rising, requiring new export routes. As traditional pathways face constraints, the U.S. Rockies—especially the Guernsey, WY hub—are emerging as key corridors for moving Canadian heavy crude to downstream markets, including the Gulf Coast.

The aim of this series on the prospects for a possible “second wave” of liquefaction/LNG export projects in the U.S. has been to assess recent developments in the global market for LNG, consider what’s most likely to happen next, and determine how long a wait the second-wave developers––and, more important, the LNG buyers/marketers that contract for liquefaction capacity––may have before turning dirt on a new round of projects makes economic sense. As we said in Part 1, the Final Investment Decisions (FIDs) to build first wave of liquefaction “trains” now coming online along the Gulf Coast and Chesapeake Bay were made a few years ago, when the Shale Revolution was ramping up in the U.S.; natural gas production in the Marcellus and other shale plays was on the rise; most long-term LNG prices were indexed to the then sky-high price of crude oil; and global LNG demand was rising fast. U.S. developers like Cheniere Energy, Cameron LNG and Dominion figured they could break into the LNG export club by offering to base the price of the LNG they loaded onto ships to the price of U.S. natural gas (not oil), plus a small mark-up and a flat liquefaction fee (typically $2.25 to $3.50/MMBtu)—that would allow them to undercut their international competitors by several dollars per MMBtu, a sure way to gain market share. As it turned out, several liquefaction trains and LNG export facilities were developed in Australia too (and elsewhere), and all of that capacity––about 140 million tonnes per annum (MTPA), the equivalent of about 20 Bcf/d of natural gas––is coming online in 2016-19, after two years of weak LNG demand growth and a collapse in crude oil (and oil-indexed LNG) prices. In Part 2 we looked at the long list of prospective second-wave U.S. projects still being pursued, despite the widely held view that it will take a number of years (Five years? Seven?) for the global LNG market to absorb all the liquefaction capacity and LNG supply being added by 2019.

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About the song

“Catch a Wave” was written by Brian Wilson and Mike Love, and appears as the second cut on the Beach Boys’ third album, Surfer Girl. The song was recorded at Western Studios in Los Angeles in July 1963, and released in September of the same year. Surfer Girl is the first album on which Beach Boy Brian Wilson was given full production credit — he maintained the producer's role for the band for a few more years, and many hit records.

An interesting side note about “Catch a Wave” is that Beach Boy friends Jan & Dean had Brian Wilson rework the song with new lyrics by Roger Christian. They released it as the Jan & Dean single “Sidewalk Surfin’,” which went to #25 on the Billboard Hot 100 chart in October 1964.

The Surfer Girl LP went to #7 on the Billboard Top 200 Albums chart. The album cover photo is an outtake from the Beach Boys’ first album, with the boys holding the same surfboard and wearing the same Pendleton shirts and wheat jeans, minus the tiki-trimmed Ford Model A pickup truck. Personnel on the record were: Brian Wilson (lead and harmony vocals, bass, piano, organ, and hand claps), Carl Wilson (lead guitar, harmony vocals, and hand claps), Dennis Wilson (drums, lead and harmony vocals, and hand claps), Mike Love (lead and harmony vocals, saxophone, and hand claps), Al Jardine (harmony vocals, bass, and hand claps), David Marks (rhythm guitar, and hand claps), and Maureen Love (harp).

The Beach Boys are an American rock band formed in Hawthorne, CA, in 1961. They have released 29 studio albums and nine archival albums. The band has sold over 100 million records worldwide to date, and has won two Grammy Awards; three of their songs are in the Grammy Hall of Fame. The Beach Boys were inducted into the Rock and Roll Hall of Fame in 1988. Brian Wilson still records and tours to this date. Mike Love fronts a touring version of the Beach Boys that is currently touring the U.S.

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