The oil and gas industry is always working to develop the most efficient methods for unlocking more hydrocarbons. To cut costs and maximize output from their acreage, some companies are rolling out more creative well designs, such as U-turn (aka “horseshoe”) and J-hook wells, which use dramatic, 180-degree underground turns to access more oil and gas from each location. In today’s RBN blog, we’ll discuss the benefits of these approaches and the technical hurdles associated with drilling these deep bends underground.
In Part 1 of this blog series, we discussed how the Shale Era was made possible by unprecedented advancements in drilling and completion technology, especially in horizontal drilling and hydraulic fracturing. The combination of the two, along with other basin-specific techniques, has significantly increased the efficiency of oil and gas recovery, as evidenced by, among many things, higher initial production (IP) rates, lower decline rates and higher EURs (estimated ultimate recovery numbers). We also detailed how the industry has increasingly utilized much longer laterals and how the choice of well tubing — coiled or stick pipe — plays an important role.
Canadian crude output is rising, requiring new export routes. As traditional pathways face constraints, the U.S. Rockies—especially the Guernsey, WY hub—are emerging as key corridors for moving Canadian heavy crude to downstream markets, including the Gulf Coast.
At the beginning of the drilling process, a crucial decision must be made regarding how the well will be designed. Typically, in horizontal drilling, it starts by drilling a vertical section from the surface down to the targeted rock formation. Then, the directional drilling will steer the wellbore into a horizontal path, which can extend for one, two or three miles, and even longer in some cases. This can increase the amount of hydrocarbons that can flow into the well and boost production rates. Once the well is at the desired depth, the wellbore is lined with steel casing and cemented in place to prevent collapse. Then, the well is hydraulically fractured, and finally, pumps are installed to bring oil or gas to the surface.
While the horizontal well is the go-to design in most popular shales in the U.S., a few E&Ps have started pushing boundaries in the last few years with new twists on the horizontal well design. The first we’ll discuss is the U-turn or horseshoe well. This is a more complex technique often used where space is tight, or the geology is challenging (more on that below). It starts with the drill path going down vertically from the surface, just like a typical horizontal well. Once it reaches the target depth, it turns and drills horizontally, usually about a mile out. Here’s where the twist comes in. Rather than stopping or branching straight out, the drill bit makes a tight 180-degree or U-turn underground and heads back in the opposite direction. This creates a second horizontal leg parallel to the first, as shown in the graphic to the right in Figure 1 below.
About the song
“Let’s Twist Again” was written by Kal Mann and Dave Appell and appears as the first song on side two of Chubby Checker’s third studio album of the same name. The song starts with a syncopated dance beat on a snare drum, leading into a celebration of the Twist dance craze and referencing Checker’s previous 1960 #1 hit, “The Twist.” Released in June 1961, it went to #8 on the Billboard Hot 100 Singles chart. Personnel on the record were: Chubby Checker (lead vocals), Dave Appell, Joe Renzetti (guitar), Joe Macho (bass), Fred Bender (keyboards), Bobby Gregg (drums), and Buddy Saritt, Fred Nuzzullio and George Young (saxophones).
The album, Let's Twist Again, was recorded at Bell Sound Studio in New York City and Reco-Arts Sound Recording in Philadelphia during 1960-61. Produced by Kal Mann, it was released in September 1961 and went to #11 on the Billboard 200 Albums chart. One single was released from the LP.
Chubby Checker (Ernest Evans) is an American rock and roll singer and dancer. He had a string of hits in the 1960s, popularizing dances such as the Twist, the Pony, the Fly, and the Limbo. His name was coined by Dick Clark's wife, Barbara, who heard him do a spot-on impersonation of Fats Domino. He has released 17 studio albums, a live album, four compilation albums, and 50 singles. He is a member of the Rock and Roll Hall of Fame and the National Rhythm & Blues Hall of Fame. Checker still performs selected dates at various venues.