Projected growth in U.S. methanol production was based in large part on the expectation that domestic natural gas prices would remain significantly lower (on a per-MMBtu basis) than the price of crude oil, and that Asian demand for U.S.-sourced methanol would continue rising at a fast clip. Today both of those assumptions look dicey.  Natural gas prices remain low, but crude prices have languished below $50/Bbl for most of the past two months, and there are worries that China (by far the world’s largest methanol consumer) may be an economic bubble about to burst. Today, we consider recent developments that could slow the long-anticipated growth in natural gas use by U.S. methanol producers.

Just over a decade ago, U.S. oil and natural gas production were on the decline and scores of petrochemical plants—including 90% of the nation’s methanol capacity--were being shut down. Now, the only constraints on domestic oil and gas output are prices (they need to be high enough to encourage drilling) and infrastructure (it needs to be sufficient to move product to market). Abundant, inexpensive natural gas has spurred interest in a variety of gas-based chemical production projects, including projects to make ammonia (for fertilizer; see Fertile Prospects for Natural Gas), propylene (Got My MTP Working), and—as we will revisit today—methanol. A three-step process is used to produce methanol from natural gas. (No angst please; we’ve really simplified things for our organic chemistry-phobic readers). First, a steam-methane reformer (SMR) converts natural gas into a synthesis gas (syngas) consisting of carbon monoxide, carbon dioxide, water and hydrogen. Next, hydrogen is stripped from the syngas, and third, methanol is produced through a catalytic synthesis of the syngas. As we said a while back (in Skyrockets in Flight, Methanol Delight), about two-thirds of worldwide methanol demand (recently estimated by Methanex, the leading methanol producer, at 61 million metric tons per annum, or MTPA) is tied to its traditional use a basic chemical feedstock for making formaldehyde, acetic acid and petrochemical intermediates that, in turn, are used to make plastics, synthetic fibers, paints, resins, solvents and the like. The balance of methanol produced annually is used in “methanol-to-olefins” (MTO) plants (most of them in China) that directly convert methanol into ethylene or polyethylene; as a fuel (again, mostly in China); or as a fuel additive (it can be used to produce dimethyl ether (DME), an alternative motor fuel and sometimes replacement for propane, and to make methyl-tertiary-butyl ether (MTBE), an octane booster the U.S. has banned for domestic use but still produces for export). Methanol’s fastest-growing use has been in MTO plants (China now has 10 such plants, which at full capacity can consume a total of 10 metric tons per annum, or MTPA) and as a fuel; it’s been estimated that by the 2020s worldwide methanol demand may top 100 MTPA or 40 MTPA above the current level – representing about 7% per year growth.

Methanol competes on price with oil-derivatives (naphtha included) that can serve as methanol substitutes. Since the Shale Revolution, the big selling point for methanol production in the U.S. has been the availability of significant natural gas volumes at substantially lower prices than oil. Figure 1 shows the ratio of U.S. crude prices (the West Texas Intermediate or WTI) to natural gas prices (at Henry Hub, LA) since April 1990. The crude-to-gas ratio is calculated by dividing the price of WTI crude ($/Bbl) by the price of Henry Hub natural gas ($/MMBtu) and is calculated every day in our Spotcheck feature available exclusively to Backstage Pass subscribers. The ratio averaged about 9.5 X (crude is 9.5 X natural gas) between 1990 and 2009. Then as gas prices fell in response to the boom in shale production and crude stayed high, the ratio took off to reach a peak of more than 53X in April 2012 (red arrow on the chart). The higher crude-to-gas ratio made U.S. methanol economics extremely favorable and encouraged investment in new plants. However that favorable ratio has been eroded by the collapse in oil prices in late 2014/early 2015 (responsible for most of the crude-to-gas ratio decline indicated by the black arrow on the chart).

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About the song

“Will You Still Love Me Tomorrow” (also known as “Will You Love Me Tomorrow”) was written by Gerry Goffin and Carole King. It appears as the fourth song on side one of The Shirelles’ debut album, Tonight’s the Night. It was recorded at Bell Sound in New York City and produced by Luther Dixon. When the song was first presented to Shirelles singer Shirley Owens, she thought it sounded “too country.” The subject matter in the lyrics dealing with young romance resulted in some radio stations refusing to play it initially, but that didn't last long. Released as a single in November 1970, it became #1 on the Billboard Hot 100 Singles chart. It was the first #1 single for a black, all-female group. The song has been covered by many artists including The Four Seasons, Smokey Robinson, Linda Ronstadt and the song’s co-author, Carole King, who included it on her multi-platinum album, Tapestry. Personnel on the record were: Shirley Owens (lead vocals), Doris Coley, Addie “Micki” Harris, Beverly Lee (backing vocals) and various unnamed New York studio musicians.

Tonight’s the Night is the first studio album released by The Shirelles. Recorded between 1959 and 1960 at Bell Sound in New York City and produced by Luther Dixon, the album was released in December 1960. In 2022, the album was selected by the Library of Congress for preservation in the National Recording Registry. Producer Luther Dixon, who also had a hand in the songwriting of the album with The Shirelles, helped produce a collection of songs that exemplified teenage angst and young love in the late 1950s and early 1960s. Two singles were released from the LP.

The Shirelles were formed in 1957 at the high school in Passaic, NJ, that the quartet attended. They released 13 studio albums, eight compilation albums, and 49 singles. They are members of the Rock and Roll Hall of Fame, Vocal Group Hall of Fame, and have a Pioneer Award from the Rhythm and Blues Foundation. Founding Member Micki Harris died in June 1982, and Doris Coley died in February 2000. Original members Shirley Owens (now Shirley Alston Reeves) and Beverly Lee still tour separately with various members as The Shirelles.

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