In our blogs and at our 2019 School of Energy a couple of weeks ago, we’ve spent a lot of time discussing the ins and outs and pros and cons of a multitude of proposed crude oil export terminals. What we’ve come to believe is that, with U.S. production growth appearing to slow and market players fearful of overbuilding, many of these multibillion-dollar greenfield projects are unlikely to advance to financing and construction. Odds are that the midstream sector instead will focus on ways to add new capacity to existing terminals, even if that means still relying on reverse lightering in the Gulf of Mexico to fully load Very Large Crude Carriers (VLCCs). In today’s blog, we discuss why producers, traders and midstreamers alike may be pulling back from investments in big, expensive export projects, and what it could mean down the road.

Exports of oil, gas, and NGLs are still the topic du jour in the U.S. energy sector, and with good reason. From a crude oil perspective, the forward curve is not very exciting — prices in the low-to-mid-$50s as far as the eye can see — nor is it very supportive of faster production growth. Permian pipeline deals were all the rage in early 2019, but as the Gray Oak Pipeline begins line fill in November, that system will be the last big addition to the basin until 2021. Yes, there are some interesting developments in the Rockies, some possible new pipes in Cushing, and some marginal production gains in other spots around the U.S., but overall, there isn’t a whole heck of a lot of intrigue and mystery in most parts of the domestic crude market. That is, except for exports and how new and existing terminals will fare in their quest to move oil, gas, and NGLs to overseas markets.  

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Crude Oil Permian provides detailed analysis of the fundamental drivers impacting the Permian Basin crude oil market including weekly data, analysis and market intelligence updates of: Permian crude oil supply and demand, pipeline outflows and capacity, prices, and infrastructure updates.

Since the ban on exports of U.S. crude was lifted in late 2015, we’ve seen substantial growth in export volumes. In 2016, the U.S. exported about 500 Mb/d, on average. In 2017, that number jumped to 1.1 MMb/d. Then in 2018, it nearly doubled to 2 MMb/d, and it’s been averaging almost 2.9 MMb/d so far in 2019. But this year has been even more interesting for exports because of upstream developments, and increasing volumes at different terminals. As we touched on above, the wave of new Permian pipelines has relieved congestion in West Texas, and is pushing more and more crude to the Gulf Coast. Also, we’ve seen a real diversification in export points. Previously, Houston and Beaumont (the two largest pie-chart circles in Figure 1) were the primary targets of opportunity, accounting for a large percentage of the export volumes out of Texas ports. The Louisiana Offshore Oil Port (LOOP; lime-green segment in circle to far right), was also a big piece of the export pie, given its ability to fully load VLCCs without reverse lightering. But as new pipelines like Cactus II and EPIC have begun service from the Permian to Corpus Christi, that South Texas port (circle to far left) has seen its loaded cargoes increase significantly. Exports out of Corpus, which had previously averaged around 500 Mb/d, have averaged over 1 MMb/d since the end of August. [This is all data that we track weekly in our Crude Voyager report.]

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About the song

"Let It Go" was written by Kristen Anderson-Lopez and Robert Lopez. The song appears in Disney's 2013 hit movie, Frozen. It is the fifth song on the original motion picture soundtrack, and was performed by Idina Menzel in her role of Queen Elsa. A shorter, pop version of the song appears in the closing credits of the movie, sung by Demi Lovato. Both artists released a single of the song. Lovato's version went to #38 on the Billboard Hot 100, and Menzel's version, released later, went to #3 on the same chart. "Let It Go" won an Academy Award for Best Song, a Grammy Award for Best Song Written for Visual Media, and a Golden Globe Award for Best Original Song.

The Frozen soundtrack was recorded by an orchestra at Eastwood Scoring Stage at the Warner Brothers lot in Burbank, CA. Vocal overdubs were done at Sunset Sound in Hollywood. Production was handled by Kristen Anderson-Lopez, Robert Lopez, Christoph Beck, Chris Montan and Tom MacDougall. The soundtrack album went to #1 on the Billboard Top 200 Albums and Top Soundtracks charts. It has been certified 4x Platinum by the Recording Industry Association of America, and has sold more than 10 million copies worldwide. 

Idina Menzel is an American actress, singer and songwriter who has appeared in 16 movies, 14 theater productions and 18 television shows. Menzel has released six studio albums, one live album, two soundtrack albums and 15 singles. She has won one American Music Award, one Billboard Music Award, one Obie Award and one Tony Award. She still acts and sings. Demi Lovato is an American singer, songwriter and actress. She has released six studio albums, two soundtrack albums, three EPs and 33 singles. Lovato has appeared in 26 television shows and 10 movies. She has won four ASCAP Awards, four BMI Awards and one MTV Video Music Award, and still sings and acts.

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