For most of the past three years, Western Canadian producers have had to deal with crude oil pipeline constraints — takeaway-capacity shortfalls serious enough to spur huge price discounts for the region’s benchmark Western Canadian Select (WCS) that are sufficient to support the higher cost of crude-by-rail alternatives. But things are changing, and fast. WCS prices are at or near historic lows — low enough to convince a number of producers to rein in their capital spending and production. Crude-by-rail use is down, and there’s even space available on the usually maxed-out Enbridge Mainline system, the region’s primary pipeline egress. And wouldn’t you know it, just as production is slipping and constraints are easing, real progress is being made on three big pipeline projects that had long been in limbo: the Line 3 Expansion, the Trans Mountain Expansion (TMX) and Keystone XL. Today, we provide an update on Western Canadian crude takeaway capacity and examine whether the region may — irony of ironies — end up with too much.

There’s never a dull moment in Western Canada’s hydrocarbon market. Since the earliest days of the RBN blogosphere, there’s been plenty to write about: new oil sands projects, rising bitumen production, the need for diluent, not enough pipeline capacity, steep price discounts for WCS, new rail-loading terminals — wildfires, even. Producers in the Canadian West have been through a lot, but they are now facing some of their toughest times ever. As we said a few days ago in Rock Bottom, while producers in the Permian and other shale plays in the U.S. have been hit by sub-$30 and even sub-$25/bbl prices for West Texas Intermediate (WTI), producers in Western Canada have seen prices for WCS fall to less than $10 and even $5/bbl. In response, a number of oil sands producers have decided in recent days to reduce their planned 2020 capital spending and trim their production; some said they’ll also scale back or even scrap their crude-by-rail programs due to the higher cost of transporting heated bitumen and “railbit” (bitumen plus diluent) by rail. Also, we understand that there’s been a decline in light-oil production in the region, again in response to super-low prices.

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Now, with Western Canadian production flat or even slipping, Alberta and its provincial neighbors for the first time in a long time have enough pipeline capacity in place to accommodate the vast majority of their takeaway needs. As it turns out, this supply-takeaway balance — and the likelihood of stable output for the foreseeable future — comes as the three big pipeline projects that producers in the region have been waiting for are finally moving forward. Next, we’ll review each of the projects and update their status; after that, we’ll take a look ahead to the possibility that within two or three years, Western Canada may have more takeaway capacity than it knows what to do with.

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About the song

"Spanish Pipedream" was written by John Prine, and appeared as the second song on side one of Prine's debut album, John Prine. The album was recorded at American Sound Studio in Memphis and A&R Studios in New York City, with Arif Mardin producing. Released in 1971, the LP went to #154 on the Billboard Top 200 Albums chart. The album would also contain two of Prine's most popular songs, "Angel from Montgomery" and "Sam Stone." Personnel on the record were: John Prine (vocals, acoustic guitar), Reggie Young (lead guitar), John Christopher (rhythm guitar), Leo LeBlanc (pedal steel guitar), Bobby Emmons (organ), Bobby Wood (piano), Mike Leach (bass), Gene Chrisman (drums) and Heywood Bishop (percussion). 

John Prine was an American country/folk singer-songwriter. He was still working as a mailman when he was discovered by Jerry Wexler of Atlantic Records while being the opening act for mentor Kris Kristofferson at The Bitter End in New York City. Called the "country music Bob Dylan," Prine's often humorous lyrics presented a colorful Americana landscape involving life, love and social issues. He released 18 studio albums, five live albums and two compilation albums. He was the first singer-songwriter to read and perform at the U.S. Library of Congress, and has won two Grammy Awards and a Grammy Lifetime Achievement Award. Prine died in Nashville on April 7, 2020, at the age of 73, a victim of the COVID-19 virus. 

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