As U.S. LNG export project development accelerates along the Gulf Coast, one of the big uncertainties is where will all that feedgas come from? We estimate that there are a dozen Gulf Coast projects totaling 16 Bcf/d of export capacity in the running for completion in the next decade, with 60% of that capacity sited along a less-than-100-mile stretch of coastline straddling the Texas-Louisiana border. One of the major factors that will influence the timing and commercialization of the projects is the availability of feedgas supply where and when it is needed. With pipeline projects and production growth in the Marcellus/Utica shales at a veritable standstill, the Texas and Louisiana production regions — the Permian, Eagle Ford and Haynesville — are the frontrunners for serving the bulk of the resulting Gulf Coast demand growth. Assuming no midstream constraints, RBN’s Mid-case production forecast anticipates growth from the three basins will total 15.5 Bcf/d by 2032. In today’s RBN blog, we look at how well (or not) production levels will line up with feedgas demand.
As we laid out in the first part of this series — and earlier this week in Jump In The Line, Part 5 — the momentum behind new U.S. LNG export projects is the strongest it’s been in years. After a lengthy dry spell, long-term LNG offtake deals have made an unmistakable comeback, and a number of projects have made big strides toward taking final investment decisions (FIDs). Unlike the first wave of Gulf Coast liquefaction and LNG export development in the mid-2010s — which was well-timed with fast-rising natural gas supplies — the next wave, which will kick off in earnest in 2024 with the expected completion of Golden Pass, may not go as smoothly. This is because the first wave primarily utilized existing import terminals and transportation routes and coincided with a slew of reversal and expansion projects designed to move rapidly growing Marcellus/Utica gas supplies south to the Gulf Coast. In contrast, many second-wave projects will rely on greenfield development to some degree — whether it is the facilities themselves, the coastal pipelines that will supply them, or the midstream capacity to gather, process and move new production growth out of the Texas and Louisiana basins. That’s a lot of moving parts, and each are critical to understanding long-term supply-demand trends in the Gulf Coast. It’s become abundantly clear that the timing and availability of gas supplies to new LNG terminals will largely pace export growth in the next wave.
In Part 1, we began our analysis with a look at where the feedgas supply for additional LNG exports is likely to come from. With existing Appalachia-to-Gulf-Coast pipelines constrained and fierce headwinds for new ones, the Marcellus/Utica will take a back seat to other basins during the next round of LNG development. Instead, the Permian, Eagle Ford, and Haynesville are the most natural targets for LNG players looking to source their gas, especially given their proximity to the Gulf Coast and the more hydrocarbon-friendly regulatory environments to support new infrastructure. Both the Permian and Haynesville have been hotbeds of midstream development in recent months to address bottlenecks, and the Eagle Ford has been singing its own Come Back Song and showing signs of a production recovery of late, reversing the declines of recent years.
About the song
“Where It’s At” was written by Beck, John King and Michael Simpson. It appears as the eighth song on Beck’s fifth studio album, Odelay. Released as the first single from the album in May 1996, it went to #5 on the Billboard Modern Rock Tracks and #61 on the Billboard Hot 100 Singles charts. The song earned Beck a Grammy Award for Best Male Rock Vocal Performance, and the video for the song won an MTV Video Music Award for Best Male Video. Personnel on the record were: Beck (vocals, electric piano, guitar, bass, organ, sampling), The Dust Brothers (turntables), Mike Boito (trumpet), Money Mark (organ), David Brown (saxophone), and Eddie Lopez (outro talking).
Odelay was recorded between 1994 and 1996 at Conway, G-Son, and Sunset Sound in Los Angeles and The Shop in Arata, CA. It was produced by Beck, The Dust Brothers, Mario Caldato Jr., Brian Paulson, Tommy Rothrock and Rob Schnapf. The album was released in June 1996 and went to #16 on the Billboard Top 200 Albums chart. It has been Beck’s most successful album to date and has been certified 2x Platinum by the Recording Industry Association of America. Five singles were released from the LP.
Beck (Beck David Hansen) is an American singer, musician, songwriter and record producer. Born and raised in Los Angeles, Beck began performing in Los Angeles coffeehouses and clubs as a teen. Combing hip-hop and folk idioms, he released his breakthrough single “Loser” in 1994. He has released fourteen studio albums, one compilation album, four EPs, and 52 singles. He has won one ASCAP Award, three Brit Awards, eight Grammy Awards and six MTV Video Music Awards. He continues to record and tour.