Physical natural gas spot prices in the U.S. Midcontinent trading as high as $600/MMBtu, while Northeast prices barely flinch – that was the upside-down reality physical traders were contending with Friday in trading for the long weekend, with Winter Storm Uri bearing down on large swaths of the Lower 48 and spreading bitter-cold, icy weather from the Midwest and Northeast to Texas and the Deep South. The record-shattering, triple-digit spot prices, mostly all west of the Mississippi River, were indicative of some of the worst supply shortages the market has seen during the generally oversupplied Shale Era, or ever. But the East vs. West price divergence also marks the culmination of years of shifting gas supply and flow patterns that have redefined regional dynamics. The market will be digesting the various impacts of this still-unfolding event for days, but some of the effects and implications can be gleaned already from daily pipeline flows. In today’s blog we provide an early look at the market impacts of the polar plunge.
Last Friday, February 12, as most of the Lower 48 was cranking up the heat and hunkering down for some of the coldest weather in decades, the physical gas market went absolutely berserk. You wouldn’t know that from futures trading — the CME/NYMEX Henry Hub prompt futures contract last week dallied just under $3/MMBtu for March delivery and settled at $2.912/MMBtu Friday. But prices for physical “next-day” delivery of gas at the dozens of hubs across the U.S., which reflect the immediate and localized market for the long, holiday weekend, skyrocketed to previously unimaginable levels, with volumes trading at hundreds of dollars per MMBtu at many physical trading hubs — in some cases 200x the price just days earlier and three times the previous all-time highs (which were also in the triple-digits).
The futures-cash divergence is not entirely unusual. Futures prices represent today’s values for future delivery, whether next month or in subsequent months. So the futures market is more concerned with longer term supply availability, particularly as reflected by storage. The March contract had rallied nearly $0.50/MMBtu (20%), from the mid-$2.40s/MMBtu in late January to around $2.90/MMBtu in recent days (left graph in Figure 1) as confidence grew in the severe cold weather forecasts, which pointed to a rapid storage drawdown and the storage surplus vs. prior years flipping to a meaningful deficit within weeks. But there’s only so much gas that can be withdrawn day-to-day, and the general assumption was that any effects of the extreme weather event would wear off by March, leaving the market right back where it was before — with potential oversupply risks as the market transitioned to the low-demand spring season. (As of after-hours trading around 5 p.m. Central Time Sunday, the March contract was up $0.10/MMBtu to about $3.02/MMBtu.)
About the song
"Buttons and Bows" was written by Jay Livingston, with lyrics by Ray Evans. The song was written for the 1947 movie, The Paleface, that starred Bob Hope and Jane Russell. It won an Academy Award for Best Original Song in 1949. The song also reappeared in the sequel movie, Son of Paleface, released in 1952. The most popular version of the song that starts with the lyric "east is east and west is west," is the one released by Dinah Shore in 1948. It went to #1 on the Billboard Hot 100 singles chart. "Buttons and Bows" has also been covered by The Dinning Sisters, Betty Rhodes, Evelyn Knight, and Gene Autrey. The song later appeared on a 1960 album by Dinah Shore of the same name released in Canada and is included on a few of Shore’s greatest hits collections.
Dinah Shore (Fannye Rose Shore) was an American singer, actress, and television personality. Known as a popular singer during the big band era, she rose to greater fame as a variety show television host. She starred in her own music and variety show sponsored by Chevrolet from 1951-1963, and later had two successful daytime talk shows in the ‘70s. Shore singing "See the USA in Your Chevrolet" became one of the most popular television jingles of the early ‘50s and ‘60s. Shore released 40 albums, 174 singles, and appeared in 15 motion pictures and 24 television shows. She died at her home in Beverly Hills in 1994 at the age of 77.