The possibility of reversing the flow on Capline — the U.S.’s largest northbound crude oil pipeline — has been discussed for a number of years now. Finally, it may be on the horizon. The three owners of Louisiana-to-Illinois pipeline announced last week that this month they plan to initiate a binding open season for a reversed Capline system that would enable southbound flows starting in the third quarter of 2020 — only a year and a half from now. And, as we discuss in today’s blog, reversing Capline’s direction could open up new crude-slate possibilities for Louisiana refineries and boost crude exports out of the Bayou State.

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Every so often, the Mississippi River’s flow flips and its water runs north, if only for a few hours at a time. It happened most recently in the aftermath of Hurricane Isaac, in the summer of 2012, when the storm’s high winds and waters sent Ol’ Man River the other direction; it also happened during Hurricane Katrina, seven years earlier. The most amazing flow reversal of all, though, happened way back in 1812, when an estimated 8.8-magnitude earthquake — the strongest of several major quakes to hit Missouri and Arkansas that winter — shook, rattled and rolled the whole middle of North America. (The New Madrid earthquake was so strong that it collapsed brick walls as far away as Cincinnati and caused church bells to ring in Boston.)

(We just happened to know a bit about the quake, since it figures prominently in a new book by Rusty Braziel titled “KADO! - Lost Treasure of the Kadohadacho,” planned for publication later this year. Yes, fiction from Rusty. You heard it here first!)

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About the song

“Turn the Beat Around” first became a club hit in 1976 for Vicki Sue Robinson, who released it as a single from her debut album, Never Gonna Let You Go. Written by brothers Gerald and Peter Jackson, the song went to #1 on the Billboard Dance chart and #10 on the Billboard Hot 100. Laura Branigan would go on to cover the song in 1990, releasing it as a club and radio single from her self-titled sixth studio album. Gloria Estefan recorded the song for the soundtrack to the film "The Specialist" in 1994, and included it on her fourth solo album, Hold Me, Thrill Me, Kiss Me. Her version went to #1 on the Billboard Hot Dance Club Play chart, #4 on the Hot Adult Contemporary list, and #13 on the Hot 100 chart. It was certified gold by the Recording Industry Association of America.

Gloria Estefan is a Cuban-American singer, songwriter and actress. She initially gained success as the singer/frontwoman for the Miami Sound Machine in the mid-1980s, and later embarked on what has been an enduring solo career. Estefan has won three Grammy Awards, a Kennedy Center Honors Award, and the Presidential Medal of Freedom, and has a star on the Hollywood Walk of Fame. She has sold over 115 million records worldwide, including more than 31 million in the U.S. alone.

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