In marking the third anniversary of COVID’s onset, the Washington Post detailed a study that showed most of us are already shedding the virus-impacted memories of that tedious and often traumatic time to concentrate on looking ahead — a trait scientists label “future-oriented positivity bias.” That transition was clearly evident in the 2022 investment decisions of U.S. E&Ps as the capex budgets of the 42 companies we monitor, pared to the bone during the pandemic, expanded through last year from initial guidance of a 24% increase over 2021 to a final 54% reported increase for the full year. They increased production by 9% year-over-year, but producers haven’t forgotten fiscal discipline or a focus on cash flow generation. In today’s RBN blog, we analyze 2023 capital budgets that generally sustain the pace of Q4 2022 spending and eschew additional increases in a lower commodity price environment.

The commodity price plunge at the onset of the pandemic in March 2020 sent shock waves through the oil and gas industry. The 42 producers in our universe, which includes every publicly held U.S. E&P with a market capitalization over $500 million (but not integrated energy companies like ExxonMobil and Chevron), slashed investment by 50% in 2020 to $37 billion from $74 billion in 2019, as shown by the stacked bars (and left axis) in Figure 1. Despite a substantial recovery in realizations, investment inched up just 6% to $39.7 billion in 2021. Estimated oilfield service inflation of 10%-20% and the need to rebuild the inventory of drilled but uncompleted wells (DUCs) after a steep pandemic drawdown drove a 24% increase in initial 2022 investment guidance to $49.3 billion. However, sustained high commodity prices resulted in surging cash flows, allowing producers to dramatically increase shareholder returns and increase drilling to more than offset steep short-term shale decline rates. As we pointed out in It’s Growing, our blog on Q3 2022 investment, capital budgets increased 3%-4% in each of the first three quarterly reporting periods to $54.9 billion — a 38% gain over the previous year. Full-year results revealed a dramatic and unprecedented 12% investment growth in Q4 compared with Q4 2021, raising total expenditures 54% to $61.6 billion, the largest year-on-year growth in more than a decade.

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About the song

“Slow It Down” was written by Wesley Schultz and Jeremiah Fraites and appears as the sixth song on The Lumineers’ debut album, The Lumineers. Personnel on the record were: Wesley Schultz (vocals, guitar, keyboards, drums, percussion, ukulele), Jeremiah Fraites (vocals, drums, percussion, mandolin), Neyla Pekarek (cello, backing vocals), Stelth Ulvang (keyboards, guitar, backing vocals), and Ben Wahamaki (bass, backing vocals).

The album, The Lumineers, was recorded in 2011 at Bear Creek Studio in Seattle, with Ryan Hadlock producing. Released in April 2012, it went to #2 on the Billboard 200 Albums chart and #1 on the Billboard Folk, Top Alternative, Independent, and Top Rock Albums chart. It has been certified Platinum by the Recording Industry Association of America (RIAA). Three singles were released from the LP, including “Ho Hey,” the debut single from the album. Released in June 2012, It went to #3 on the Billboard Hot 100 chart and #1 on the Billboard Adult Contemporary, Adult Top 40, and Hot Rock & Alternative Songs Singles chart. It has been certified Platinum by the RIAA.

The Lumineers are an American alternative folk band based in Denver, CO. Founding members Wesley Schultz and Jeremiah Fraites began writing and performing together in Ramsey, NJ, in 2005 before relocating to Denver in 2009. Celloist and vocalist Neyla Pekarek joined the band in 2010 and was a member until 2018. The band cites Bob Dylan, Tom Petty, Guns N' Roses, and Bruce Springsteen as influences. Six people have passed through the band since its formation. They have released four studio albums, seven EPs, and 19 singles. After an appearance at Willie Nelson’s 90th Birthday Celebration at the Hollywood Bowl in April 2023, the band continues touring the U.S. in May, followed by a two-month tour of Europe beginning in June.

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